March 20, 2022 – Brown Pundits

Short Review

#KashmirFiles – forgive my typos and terseness – i posted this in a hurry

I was pleasantly surprised by how effective the movie was in conveying what it started out doing. I had a very low bar after Tashkent files. Some would take umbrage to the Loud direction at times. Personally I think that was vivek agnihotri’s choice and overall the Loudness has the desired effect. Having seen more gory scenes in Visual medium and read more graphic details about Kashmir Pandit I did think the violence was NOT overdone though Loud at times. Rather some of the more ghastly things documented were not shown. RAPE which was common and effective tool used by Kashmiri Islamists to scare Pandits wasnt depicted in the movie. Anupam kher shines, among his finest performances. I even liked Mithun’s role. Darshan Kumar also pulled through on a tough role (though with glitches).

Overall acting is just above average – especially by actors in crucial moments in the film which somehow let me down – especially during the final monologue. It could’ve packed more punch with a flawless monologue like that of Kay Kay from Gulaal but it didn’t.

As a result I didnt get emotional watching the movie (except maybe the Biscuit scene by Anupam Kher) while I had shed some tears while reading Pandita’s moving memoir. To the readers, I would still recommend Pandita’s book over this movie but this movie will reach places which a book could never do. Book Review: Our moon has blood clots | by Gaurav Lele | Medium

Sad that a fine mind like Pandita has not *yet talked about the impact of the film (probably due to history with the director).

But most importantly the movie does what only a movie can (not books or newspapers or even podcasts). So it’s a very necessary counter weight movie especially in company of Haider and Mission Kashmir. The criticism I had watching was the absence of positive Kashmiri Muslim characters who helped Pandits risking their lives (though the final monologue makes that point along with many other nuances). Personally I think that’s not fair depiction but award winner “Haider” didn’t have a single positive Pro India character – all Kashmiris who were pro India were corrupt – so maybe judging Kashmir files with that level of harshness itself isn’t fair.

In that space #KashmirFiles corrects a lot of narrative around the Kashmir in general in Pop culture and also tells the stories of the Kashmiri Hindus with focus solely on their plight.

There are some errors and unbelievable plot points. The characters (5 dinner table characters) appear half baked and under acted at times. In many places multiple character arcs are fused into a single character which leaves things undercooked.

I also felt the #Article370 part is overplayed and made simplistic and dumbed down. That part almost feels like propaganda for current BJP government. Ofcourse it’s part of story so that’s fine in a story. #KashmirFiles

Personally I felt the multiple Amarnath killings should have also been part of the film – whose aim was to further prevent any attempts to lay claim to Hindu legacy of Kashmir. But @vivekagnihotri can’t get it all inside the movie.

JNU is naturally shown caricaturish – but frankly I care far more about Kashmiri Muslim caricature than JNU caricature. Also don’t think the bright minds of Azadi in JNU would be seed any space in one monologue :). But maybe that was wishful thinking by director. The use of CAA protest fame song – Hum Dekhenge is at times not loud but effective nonetheless.

In summary the movie shifts the Pop Culture pendulum on Kashmir to its end powerfully (probably overcompensates a bit), but is no means is it a complete film – its a message meant primarily to highlight the plight of the Kashmiri Hindu community. But it does so (with exception of the final monologue) making a caricature of Kashmiri Muslims as either fanatics or cowards when there have been documented instances of Kashmiri Muslims risking their lives for India in general and Pandits in particular. But that is what you get when the only person willing to voice this issue honestly is Vivek Agnihotri – when Bollywood in 30 years came up with ZERO films on this tragedy and what they managed at last was the PC and poorly made Shikara. In that context you have to not only live with Kashmir Files but somewhat embrace its core message.

Kashmir files uses a lot of Hindu imagery and symbolism – sometimes subtly sometimes overtly. I felt the use of Shiv makeup Anupam Kher was deliberate – especially in the light of retrospective offense taken by newly aware(woke?) Hindus about the Shiv scene from PK.

#KashmirFiles has started a conversation and hopefully later entries in the debate will add more nuance which is missing in the movie.

Genetic affinities and adaptation of the South West coast populations of India:

Evolutionary event has not only transformed the genetic structure of human populations but also associated with social and cultural transformation. South Asian populations were formed as a result of such evolutionary events of migration and admixture of genetically and culturally distinct groups. Most of the genetic studies pointed to large-scale admixture event between Ancestral North Indian (ANI) and Ancestral South Indian (ASI) groups, also additional layers of recent admixture. In the present study we have analyzed 213 individuals inhabited in South West coast India with traditional warriors and feudal lord status and historically associated with recent migrations events and possible admixture with Indo-Scythians, Saka, Huns and Kushans, whose genetic links are still missing. Analysis of autosomal SNP markers suggests that these groups possibly derived their ancestry from some groups of North West India having additional Middle Eastern genetic component and also their separation history suggests very early separation from North West Indian and Gangetic plain Indo-Europeans during late bronze or Iron age, most probably following central India and Godavari basin to South West coast. Higher distribution of west Eurasian mitochondrial haplogroups also points to admixture through maternal lineage. Selection screen using genome wide genealogy approach revealed genetic signatures related to their long-term coastal food habits. Thus, our study suggests that the South West coastal groups with traditional warriors and feudal lords’ status are of a distinct lineage compared to Dravidian and Gangetic plain Indo-Europeans and are remnants of very early migrations from North West India following Godavari basin to Karnataka and Kerala.

If you do a west-to-east transect there is more “ANI” ancestry in the west of the subcontinent. This is true in the north, obviously (Punjabis to Bengalis), but less appreciated is that the same seems true in the peninsula south of the Vindhya Range. To some extend this is due to more steppe ancestry in groups like Nairs because of “gene flow” from Namboothiri Brahmins and such. But, that’s not all. As noted in this paper some of these western coastal groups clearly have an excess of “Middle Eastern” ancestry. That’s not surprising for the Jews of Cochin or even the Nasrani Christians. But what about Bunts and Nairs? There are two main ways you can explain this in my opinion:

1) A pre-steppe IVC and post-IVC era migration of “Iranian” peoples associated with the Ashmound culture has a significant impact that is most preserved in the western part of the peninsula

2) Later connections between West Asian (Arab and pre-Arab) people who were integrated into the local cultures over time (due to the matrilineal nature, at least originally, of some of these southwestern groups one can imagine how easy it would be to integrate sailors from other societies, or at least their offspring)

Day: March 20, 2022

Kashmir Files : Short Review

The southwestern groups in the Indian subcontinent are enriched for “Middle Eastern” ancestry