South Asian Symphony Orchestra

I learned about the South Asian Symphony Orchestra today–an organization which I had been previously unaware of.  I thought I’d share it here since it is a rare example of positivity in the region.

The organization’s website explains the aim of the organization as follows:

The aim of the South Asian Symphony Foundation (SASF) is to promote greater cultural integration for the cause of peace in our region of South Asia, through the medium of music and the creation of a South Asian Symphony Orchestra. The inspiration has come from Ambassador Nirupama Menon Rao’s years in diplomacy and what she saw as a felt need for providing a platform to promote more dialogue, cultural synergy, and friendly understanding among the youth of the eight countries in South Asia, including India.

The website goes on to answer the question of “Why South Asia?”:

Why South Asia, you may ask. South Asia has often been defined as just India and Pakistan, but the history of the region is much more nuanced and incredibly vibrant. South Asia extends from Afghanistan, through Pakistan, Nepal, Bangladesh, and Bhutan, through India, Sri Lanka, and to the Maldives. Nationalism has trumped regionalism in this space. We would like our Orchestra to point the way to recognition of the fact that South Asia is in many ways an integer, bound more together by our commonalities than our differences. To quote the famous words of Ambassador Vijayalakshmi Pandit, before the United Nations, “Let us sweat in peace, not bleed in war”.

I do find it kind of ironic that the music that is being used to promote peace is Western classical music rather than the systems of classical music indigenous to South Asia–such as Hindustani or Carnatic classical music.

I will end this post by linking to a piece I had written called “In Defense of ‘South Asia'” (which was earlier published on BP).

 

 

Published by

Kabir

I am Pakistani-American. I am a Hindustani classical vocalist and ethnomusicologist. I hold a B.A from George Washington University (Dramatic Literature, Western Music) and an M.Mus (Ethnomusicology) from SOAS, University of London. My dissertation “A New Explanation for the Decline of Hindustani Music in Pakistan” has recently been published by Aks Publications (Lahore 2024). Samples of my singing can be heard on Spotify https://open.spotify.com/artist/0Le1RnQQJUeKkkXj5UCKfB

1 1 vote
Article Rating
Subscribe
Notify of
guest

This site uses Akismet to reduce spam. Learn how your comment data is processed.

2 Comments
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
formerly brown
formerly brown
9 days ago

just for interest:

1) jon higgins was an white american musicologist, who come to south india, learnt karnatic music and performed in kacheris to great admiration and aplomb.

https://www.youtube.com/watch?v=on_rGmEWxHE&list=PLC8ta9MHR5DliOKVncgZbCm7lVTyNCCgb

here is singing ‘ krishna nee begane baro’, a kannada composition of saint vyasaraja swamygalu, who is one of dwaita philosopy’s major theoretician. he was also the guru of purandara dasaru, considered the pita maha of karnatic music.

2) ananda shankar, son of pandit udaya shankar ( ravi shankar’s elder brother), had some very good cover numbers, some good fusion music. his music was appreciated in east bengal too.

https://www.youtube.com/watch?v=LzuCIpzX4Qg&list=PLE58BAAC9A2E8F5DC

Brown Pundits
2
0
Would love your thoughts, please comment.x
()
x