Dhurandhar
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June Readership Numbers
X.T.M reports June 2026 traffic of just under 54,000 visits, down about twelve per cent: mostly phone and direct readers, a third from search, 0.4 per cent from AI answer…
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Dhurandhar, Netflix and the India-Pakistan Asymmetry
The post asks why Netflix serves India so much more than Pakistan, as Pakistani viewers complain about promotion of Dhurandhar: The Revenge. It answers with market size, Indian users far…
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Return of the King
A commenter announces his return from a self-imposed break, saying he will argue less in the comments and, borrowing the film Dhurandhar’s imagery, take a quieter supporting role.
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Dhurandhar crashes Netflix servers in Pakistan: Trending # 1
A short note on reports that Dhurandhar 2 is trending first on Netflix Pakistan despite a theatre ban, which the poster takes as a sign it is doing well there…
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Dhurandhar releasing in Japan
On Dhurandhar’s release in Japan, the author notes the appeal of Japanese film posters and Indian cinema’s push for global audiences, and argues that as Bollywood grows, foreign perceptions of…
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Dhurandhar, Politics of Bollywood & India Pakistan
Nachiketa answers X.T.M’s criticism of Dhurandhar. He sees the two parts as one seven-hour film, finds the villains humanised and the film not anti-Islam, and argues India need not fear…
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nos ancêtres les Hindous
X.T.M argues that when Hindu voices retreat from comment threads, the space turns anti-Hindu rather than neutral. The post defends Hindu civilisational continuity, rejects the claim that Hinduism is a…
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On Dhurandhar, Decorum, and Where BP Draws the Line
X.T.M explains a suspension of BB’s commenting rights until 2 April after he directed a film-style threat at another commenter. The post says the line is argument versus menace, admits…
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Dhurandhar 2: When the Villain Disappears, So Does the Film
X.T.M reviews Dhurandhar 2 and finds it hollow: with the villain gone, the Pakistani Muslim becomes simply a target. The review says the film educates audiences to hate and only…








