Lucknow’s Composite Culture and its Destruction in Qurratulain Hyder’s Novels

I am sharing an excerpt from this piece in the context of Fly Die’s piece on ethnic violence in India.  I believe that sometimes Literature provides a different lens on these issues than academic research does. 

I was tuning my tanpura for riaz in the morning to sing Khayal Jaunpuri, and one string snapped. Gautam, there’s symbolism for you. Hussain Shah’s tanpura broken into two,’ said Talat ruefully.

— Qurratulain Hyder, River of Fire, pg. 273

In the passage quoted above–from Qurratulain Hyder’s novel River of Fire (her own translation of her Urdu magnum opus Aag Ka Dariya)—the speaker, Talat, is a member of Lucknow’s Muslim elite. She is speaking to a group of friends—both Muslim and Hindu—after the Partition of 1947. Two new nation-states–“India” and “Pakistan”– have been created and the group of friends is splitting up in different directions: Talat’s cousin Amir Reza has already left for Karachi, Talat herself is imminently departing for further studies in England, and Gautam is soon to leave for America. The broken tanpura symbolizes the death of the composite culture, which could not survive the politics of religion and the force of the Two Nation Theory. This theme—the destruction of the Lucknawi way of life—runs through many of Hyder’s novels, particularly through My Temples, Too (Hyder’s translation of her debut novel Mere Bhi Sanam Khane) and the later sections of River of Fire.

In this paper I will examine Hyder’s novels and use them to discuss some arguments about the formation of the composite culture of Lucknow (and of UP generally) and the failure of this culture to prevent the Partition of British India and the creation of Pakistan in 1947. By focusing on Muslim elites who, despite all the odds, chose to retain their belief in a united India, Hyder problematizes the prevailing discourse that sees Hindus and Muslims as inherently opposed and Partition as the inevitable outcome of Independence.

The rest of the essay can be read on Substack.  See also my review of Hyder’s novel “Fireflies in the Mist” 

 

 

Reflections: Vikram Seth’s ‘A Suitable Boy’–An Epic Portrait of 1950s India

I’m sharing this excerpt from an essay about one of my favorite novels–Vikram Seth’s A Suitable Boy.  The entire essay can be read here. I have also reviewed the BBC adaptation here

There are some works of literature that are like comfort food–ready for one to dip into whenever one is in need of a pick-me-up. For me, Vikram Seth’s 1993 magnum opus, A Suitable Boy, is one such work. The characters–ranging from the anxious and melodramatic Mrs. Rupa Mehra to the crazy Chatterjee family to the beautiful Muslim courtesan Saaeda Bai Firozabadi– are like old friends whom one has missed after a long absence. Every time I read the novel (and I have read it several times) I find new things to delight and ponder.

The novel begins with what in my opinion is one of the best openings in modern literature, one that immediately alludes to Jane Austen. Just as Pride and Prejudice begins with the narrator stating “It is a truth universally acknowledged ,that a single man in possession of a good fortune must be in want of a wife”, A Suitable Boy opens with the sentence: ” ‘You too will marry a boy I choose,’ said Mrs. Rupa Mehra firmly to her younger daughter.” With this sentence, Seth immediately lets the reader know what the book will be about: Mrs. Rupa Mehra’s search to find a suitable match for her daughter Lata. The novel opens at the wedding of Lata’s elder sister Savita. It will conclude with another wedding, that of Lata herself.

Though the plot ostensibly revolves around getting Lata married off, the novel is really a portrait of 1950s India, similar to the “condition of England” novels of the mid- 19th century. These novels (such as Charles Dickens’s Bleak House) contain, apart from their fictional plots, a debate or discourse about the current state of the nation. Just as Bleak House draws attention to the problems of the London slums and the need for reform of the Chancery courts, A Suitable Boy includes plot lines devoted to issues of land reform and religious communalism. Seth also includes several other aspects of Indian culture in the novel, such as the tradition of courtesans, Urdu poetry, and Hindustani Classical Music. Continue reading Reflections: Vikram Seth’s ‘A Suitable Boy’–An Epic Portrait of 1950s India

The Inward Turn: Muslim Politics in the Indian Subcontinent from the Fall of the Mughals to the Present

A friend from Twitter (@kartheeque) has written a nice detailed post about the inward turn in Muslim politics in India and its various consequences. It is well worth a read. The original is available at Substack as “The Inward turn..” (he goes by Viduracounsel) He has kindly consented to posting the whole thing here as well:

Continue reading The Inward Turn: Muslim Politics in the Indian Subcontinent from the Fall of the Mughals to the Present

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