If China endured a century of humiliation, India has lived through a thousand years of it. Invasions and exploitation left it poor in wealth but rich in culture; intricate, adaptive, and resilient. That depth shows in Desi English, which often favours long, ornate sentences over plain ones.

This habit echoes Persian’s former role in the subcontinent: a prestige language whose mastery signalled rank. Even Ghalib’s vast Persian verse drew less love than his Urdu. In India, Persian was the colonial language of power; today, English plays that part.

In Iran, Persian changes fast. Slang, borrowed terms, and foreign tones reshape it so quickly that many in their forties struggle with teenage speech. My own Persian, kept alive in Kuwait and India, is closer to Shirazi and Tehrani standards than to the language my ancestors spoke. I’m self-conscious with Iranians, but with diaspora Persians, I speak freely; we share a looser, accented form of speech. Continue reading Why Indian English Loves Long Sentences

After Kabir exited the WhatsApp group, the conversation between the Manavs and Furqan (who I have made Editor to encourage more DPPs) drifted, inevitably, to poetry and Punjabi. Furqan has already made two excellent contributions, A flying peacock and Lord Ganesh in a confectionary mill. Kabir did a great job in diversifying the Authorial voices on BP.

As we shape the future of Brown Pundits, I keep returning to one submerged voice in the Persianate world, particularly in Pakistan. A voice that is Westernised, undercapitalised, and culturally adrift. These are not the clerics, generals, or capitalists. These are the middle-gentry, the in-betweeners; fluent in English, wired to the internet, but uncoupled from patronage and power.

Like much of the Muslim world, Pakistan remains profoundly hierarchical. And I suspect its creative pulse, its latent genius, lies in that Westernised fringe of the lower elite: the zone between the bourgeoisie and the establishment. The boundary class. Half-in, half-out.

In a strange way, Pakistan’s obscurity may be its shield. Unlike India, an excavated society with every civilizational layer being rapidly monetised (Saiyaara is breaking records), Pakistan is a half-formed splinter. It doesn’t face the same pressures of internal reckoning. That may be a blessing.

Across the Persianate world, from Anatolia to Delhi, we are witnessing a civilizational scatter. The old cosmopolis of the Gunpowder Empires (Ottoman, Safavid, Mughal) has collapsed, leaving behind cultural debris. The Persianate polity, once a unified Empire of the Mind, is now a broken archipelago.

India, by contrast, benefits from its post-colonial majority. Like Israel, it is 80% one faith; with all the confidence and coherence that brings. It has the numbers, the market, and a dominant civilizational script. The Sanskrit world, if not unified, is at least centrally anchored.

In this context, Kabir represents one pole of the Pakistani elite: articulate, English-speaking, confidently liberal but also capable of drowning out the marginal voices he’s adjacent to. And yet sadly, I don’t think Pakistan is headed for any Hindufication. The trajectory is different.

Pakistan is not returning to India. It is, perhaps, becoming the lowlands of the Iranian plateau; a bridge nation once again, neither fully Arab nor Indic. Suspended between worlds, it may rediscover itself in that liminality.

Because sometimes, the dead poets are not gone. They’re just waiting for the right silence.

UP’s very long shadow:

As I board my flight back to the UK after a brief but productive trip, I find myself reflecting on a language that continues to haunt and inspire me: Urdu.

It is a tongue caught between paradoxes. The language of courtesans and qawwals, of sacred supplication and sly seduction. It carries within it the scent of jasmine and blood, of Delhi’s dusk and Lahore’s lingering grief.

The Beloved Guardian of the Baha’i Faith once noted that while most Baha’i texts should be translated from English, Urdu alone is trusted for direct translation from Persian and Arabic. That proximity, that spiritual siblinghood with Persian, the language of kings, and Arabic, the language of God, renders Urdu magical.

Sanskrit, of course, is the language of gods, but Urdu, its stepdaughter of sorts, captures the longing of poet to partisan.

There’s a reason the Bahá’í prayer I share below is so piercing in Urdu. So here, before I cross back into another timezone, I offer this prayer—without commentary, without translation. Just Urdu, as it was meant to be heard.

And I wonder: perhaps this is what Pakistan truly is—a project in transcending the local. Not rooted in soil, but in sentiment. A place where Punjabis, Pathans, and Muhajirs are asked to shed skin and commune in Urdu. Where Pakistaniyat, for all its fractures, has succeeded in producing a common idiom: of piety, pride, and pain. Continue reading Pakistaniat & Urdu from Qasim to Quaid