Neelum Saran Gour’s novel Requiem in Raga Janki (Penguin Random House India, 2018) is a fictionalized biography of Janki Bai Ilahabadi (1880-1934), one of the most famous Hindustani classical singers of the early twentieth century. Janki Bai was an extremely successful gramophone artist in the early days of recording. She performed at the Grand Delhi Darbar in December 1911, where George V was crowned as Emperor of India. She also wrote Urdu poetry, most famously the Diwan-e-Janki.

Gour begins the novel by describing one of the most famous stories associated with Janki Bai, when she was stabbed by a jealous lover (depending on the version of the story, the man was either her lover or the lover of her father’s mistress). Janki received 56 stab wounds, which led to her receiving the nickname “Chappan Churi” (56 knives). After the stabbing, her father’s mistress, Lakshmi, ran away and Janki’s father abandoned his wife and children to go searching for her. Janki and her mother Manki Bai were then sold to a brothel in Allahabad. In order to protect her daughter from becoming an ordinary sex worker, Manki Bai arranged for her to recieve a high level of musical training from Ustad Hassu Khan of the Gwalior gharana (school) of Hindustani classical singing. Her success at this art is what made Janki a bai or courtesan– a highly valued female entertainer.

The rest of the review can be read on Substack