Karan Thapar’s Interview with Ajai Sahni about Red Fort Bombing

A very insightful interview. I obviously don’t agree with some of Ajai Sahni’s analysis of Pakistan. His fears about an Islamist takeover of Bangladesh also seem overblown.

However, he does make the important point that the Indian government is reluctant to blame Pakistan for the Red Fort attack because that would box them into resuming “Operation Sindoor”.  “Operation Sindoor” obviously didn’t go well for them the first time (contrary to the bluster of right-wing Indians on BP). Sahni notes that the only  countries that accepted India’s narrative without reservation were Israel and the Taliban.  Pakistan, meanwhile, is currently friends with both the US and China.

Karan Thapar asked him about the suicide attack in Islamabad on Tuesday and his reaction to the Pakistani government blaming India. Sahni replied that the default in India is to blame Pakistan while the default in Pakistan is to blame India.  Neither side’s domestic audience requires evidence.  However, in this case, the Indian government doesn’t want to blame Pakistan because that would require them to declare war on Pakistan (as per their own “new normal” from May) and such a declaration would have consequences.

 

“Killing the Constitution”

Note: Indians on BP have repeatedly called DAWN Pakistani government propaganda. This is completely incorrect. DAWN is one of the most progressive newspapers in Pakistan.  For example, in recent days, the newspaper has been taking a very strong line against the proposed 27th constitutional amendment (already passed by the senate and likely to be passed by the National Assembly in the next few days). 

Zahid Hussain in DAWN:

While the 26th Amendment had shaken the very foundation of the trichotomy of power, the 27th has virtually murdered the Constitution. The last rites were being performed in haste under the watch of ‘Big Brother’. It is perhaps, the darkest moment in our unenviable constitutional history.

It has been more of a puppet show — one after another, the lawmakers rose to defend the amendments that they are likely not to have been consulted on. Other members just shouted ‘aye’ when the vote was called perhaps without even reading the draft of the law provided to them at the session. They just had to follow the party line.

And:

There is indeed no denial about the PPP’s struggle for democracy in the past. But the current leadership has betrayed that legacy. Bilawal Bhutto-Zardari has justified the changes in the Constitution particularly the establishment of a separate constitutional court saying it was a part of the Charter of Democracy signed by the PPP and PML-N in 2006. But his argument about the court is completely out of context. Moreover, there is much more in the charter related to the establishment of civilian supremacy and the Constitution. The 27th amendment totally negates the charter and will lead to authoritarianism. History will judge the current leadership in a completely different way from the past leadership.

A big question is whether the Supreme Court will now act to protect the Constitution and whatever little autonomy the judiciary has been left with after it accepted the 26th Amendment. Sadly, the amendment has also weakened the unity of the federation.

 

TM Krishna & Harsh Mander on Tamil Nadu’s resistance of the RSS

This podcast is part of Season 2 of “Partitions of the Heart”.  “Saffron Siege” runs from 17 September to 3 December 2025, with a new episode releasing every Wednesday.

In this episode, musician and political commentator T M Krishna speaks to Harsh Mander about Tamil Nadu’s long history of social movements that has led to this resistance. They examine how the state’s linguistic and language-based faith traditions have stood as a bulwark against the RSS’s attempts at homogenisation under a Hindutva umbrella. Krishna points out the multiple streams of religious influence on arts in India, especially in music, and how the RSS has tried to deny this past in service of the ideological project. “Carnatic music is symbolic of something for the RSS. It is symbolic of that puritanical and cultural superiority… Homogenisation, or rather a linearisation, of that is convenient for them.”

 

Why Ladakh is angry with the Modi government

On the latest episode of Scroll Adda, Sajjad Kargili–one of Ladakh’s most popular leaders and a part of the delegation that is negotiating with the Modi government–speaks to Shoaib Daniyal to explain why Ladakhis are so angry with Delhi.  Sajjad speaks about the “colonial treatement” that Ladakh is receiving from Delhi.

Sajjad notes that Muslims are 46% of Ladakh’s population while Buddhists are 40%.  Muslims are concentrated in  Kargil district while Buddhists are concentrated in Leh district.

Review: The Muslim Secular: Parity and the Politics of India’s Partition by Amar Sohal

Since Partition is a popular topic here on BP, I am posting this review from my Substack.  Amar Sohal’s book is important because it focuses on three Muslim politicians who did not support the Muslim League’s vision: Maulana Azad, Sheikh Abdullah and Abdul Ghaffar Khan.  Thus, the book foregrounds a vision that is an alternative from those of Indian and Pakistani nationalisms.

Historians of the politics leading up to the Partition of British India usually focus on the Indian National Congress and the Muslim League. To an extent, this is understandable–along with the colonial power, the Congress and League were largely responsible for the decision to partition British India into the sovereign nation-states of India and Pakistan. This historiography is largely focused on judging which of these two parties was most responsible for the lack of compromise that led to the ethnic cleansing of August 1947 and to decades of antagonism between (the now nuclear armed) states of India and Pakistan. Ayesha Jalal’s The Sole Spokesman: Jinnah, the Muslim League and the Demand for Pakistan can be considered a representative work of this school of historiography.

Amar Sohal’s book The Muslim Secular: Parity and the Politics of India’s Partition attempts a very different task. Based on his DPhil thesis at Oxford, the book examines three comparatively lesser-known thinker-politicians of late colonial British India: Maulana Azad, Sheikh Abdullah, and Abdul Ghaffar Khan. While unequivocally Muslim, all three of these figures aligned their politics with the Indian National Congress’s vision of a united India. As Sohal writes in his “Introduction”:

My endeavour, then, is to escape, as far as possible, from the long shadow cast on modern Indian history writing by Britain’s dramatic withdrawal and the minutiae of the Partition negotiations. Rather than rehash that familiar tale, I want to contribute instead to the burgeoning field of Indian and global political thought by unearthing a forgotten argument for integrationist nationalism and shared sovereignty. And this is significant because ideas (and not only transitory interests) mould the narrative of history, and ultimately survive it to speak to the epochs that follow. The subjects of my investigation were some of India’s foremost politicians…. So like other intellectual historians of India and the Global South that have engaged with this anti-colonial moment, here my task is ‘to reconstruct these “politicians” as thinkers and their words as concepts that were central to the making of political thought’. (Sohal 2-3)

Continue reading Review: The Muslim Secular: Parity and the Politics of India’s Partition by Amar Sohal

Review–Social and Political Concerns in Pakistan and India:Critical Conversations for College Students

Sharing this review of Dr. Anjum Altaf’s book Social and Political Concerns in Pakistan and India: Critical Conversations for College Students.  The book is a collection of essays originally published as blog posts on The South Asian Idea.    The mission of the blog was:

The South Asian Idea is a resource for learning, not a source of expert opinion. The posts on the blog are intended as starting points for classroom discussions and the position at the end of the discussion could be completely at odds with the starting point. Thus the blog simulates a learning process and does not offer a final product. The reader is invited to join the process to help improve our understanding of important contemporary issues.

The heyday of the blog was from around 2008- 2018.  It hosts hundreds of essays about issues relevant to South Asians–many of them about Partition, Hindutva, Pakistan etc.   At a time when Indians and Pakistanis are barely able to interact in a civilized manner (as we have seen on this blog), it is a record of an earlier time when the hope for better relations still seemed possible.  It is also an example of the work that goes into running and moderating a blog aimed at teaching people how to argue well about humanities subjects.

Here are an excerpt from the review in DAWN:

All in all, Altaf’s tome deserves praise for courageously, convincingly and argumentatively questioning the dictatorship of mainstream discourses. Fanaticism has reduced the Indian Subcontinent to an Absurdistan. Altaf’s book shows that a patient argumentation in the tradition of Enlightenment is the only way to reverse the course.

Here’s a link to the post mentioned in the review (entitled “The Road to Partition”)

Currently, the book is only available in Pakistan. However, it is available on Kindle for those in India.

 

 

 

Open Thread

Post about whatever you find interesting.

Here is an insightful interview between Karan Thapar and Shyam Saran (former Foreign Secretary) focusing on Indo-US relations

Check out this clip from Pakistan Idol. This is a just a teaser of highlights from the Lahore audition round.  I believe that the contestants were told they could not sing Indian songs, which seems to be primarily a way to avoid everyone defaulting to Bollywood (There is also probably a patriotic angle).  After all, we have our own great composers and singers such as Medhi Hassan, Farida Khanum, Noor Jehan, and Nusrat Fateh Ali Khan.  At the level of classical music, the tradition is obviously part of a shared culture.

There is a lot of musical talent in Pakistan and proper training would help to nurture it.  However, with all the other issues that the country is facing, art and culture have never really been a priority.  Finally, as a classically-trained musician myself, it is my firm belief that one cannot be successful in any kind of music without a firm foundation in Hindustani classical (which was the case with the greats such as Medhi Hassan, Madam Noor Jehan, and Farida Khanum).  India has obviously owned this culture much more than Pakistan–the reasons behind this are the subject of my dissertation.

My singing featured on Khaliq Chishti Podcast

In the spirit of a palate cleanser, I am sharing this musical performance.  I was featured on Khaliq Chishti’s podcast (he runs a recording studio in Lahore).  I performed Raga Rageshri and a Dadra in Raga Desh (“Cha Rahee Kali Ghata” which was originally sung by Begum Akhtar).  Tabla is by Iftikhar Joseph.

I also want to use this opportunity to respond a bit to the recent post that argued that India and Pakistan are only linked by violence.  I am a singer of Hindustani classical music and an ethnomusicologist. Hindustani classical music is obviously part of the shared Indo-Islamic culture that links North India, Pakistan and Bangladesh.  Eight decades of separation, wars and political tensions have not managed to completely destroy this common culture. This very fact goes to disprove the argument that the ONLY link between India and Pakistan is violence.

Indians are fond of Pakistani dramas. Fawad Khan is very popular in India.  A new season of Pakistan Idol has recently started airing (Fawad is one of the judges along with Rahat Fateh Ali Khan) and I dare say Indians would be watching on YouTube.  I have seen comments on Insta from Indians expressing their appreciation for Pakistani music.  Pakistanis obviously watch Indian Idol.

My book–A New Explanation for the Decline of Hindustani Music in Pakistan (Aks Publications Lahore 2024)–was recently profiled on Scroll.in. Do read it if you are interested.  Currently, the book is only available in Pakistan but we are working on publishing an Indian edition soon.  One of the side effects of the bad relations between India and Pakistan is that books cannot travel across the border.

 

 

 

 

 

Review: Desertion by Abdulrazak Gurnah

From my Substack: 

When Abdulrazak Gurnah won the Nobel Prize for Literature in 2021, he was comparatively little-known. I must confess that I had never heard of him. This is despite the fact that I am an ardent fan of English literature and am also deeply interested in issues of colonialism. I have read most of the fiction concerned with British colonialism in South Asia including Rushdie’s Midnight’s Children, Scott’s The Raj Quartet and Forster’s A Passage to India. Perhaps part of the reason that I was not familiar with Gurnah’s work was that I have not focused much on Africa as a region (except for North Africa, which can be said to be more of an extension of the Arab world than the African continent proper). However, even within the domain of African fiction, Gurnah is an author that is unfamiliar to most readers. For example, school curricula in the US often include Chinua Achebe’s Things Fall Apart and Alan Paton’s Cry, the Beloved Country. I very much doubt that any curricula so far has included Gurnah’s works. Hopefully, that will change now that he has received the Nobel Prize.

Gurnah is a British citizen of Zanzibari origin. He grew up at a time when Zanzibar was a British protectorate separate from the colony of Tanganyika. After both colonies achieved independence, a revolution overthrew the Arab elite in Zanzibar and the region later merged with Tanganyika to form Tanzania. Gurnah had left to study in the UK before this revolution broke out and he describes himself as a refugee. He completed his Phd in Literature and served as a Professor at the University of Kent, from which he recently retired. His academic work deals with postcolonial literature, including that of Rushdie. Continue reading Review: Desertion by Abdulrazak Gurnah

Review: The Music Room by Namita Devidayal

From my Substack:

Namita Devidayal’s memoir The Music Room is a chronicle of her relationship with her guru Dhondutai Kulkarni (1927-2014). The book describes Devidayal’s initiation into Hindustani classical music as a reluctant ten-year-old from Bombay’s upper-middle class. Along with describing her growing appreciation for Dhondutai and the music that she imparts to her, the narrative also tells the story of two other important figures in Hindustani music: Ustad Alladiya Khan (1855-1946)–the founder of the Jaipur-Atrauli gharana–and Keserbai Kerkar (1892-1977)–one of the most famous khayal singers of the 20th century. Through telling the stories of these individuals, Devidayal elucidates several important themes such as communalism and “Hinduization” of music as well as the place of women in classical music.

Devidayal describes the process through which Hindustani music became communalized and “Hinduized”. Though Dhondutai is extremely proud of the musical legacy passed on to her by Alladiya Khan Sahib’s family, she still expresses some bigoted views about Muslims. When pressed on this by Devidayal, Dhondutai attempts to square the circle by telling her that Ustad Alladiya Khan was not a real Muslim since he was (allegedly) descended from a Brahmin singer who had been forced to convert to Islam by a Muslim king. She also notes that he always wore the caste thread usually worn by Brahmins. This story allows Dhondutai to hold the belief that Hindustani classical music is essentially Hindu despite the fact that many of the most prominent gharanas had Muslim founders. Dhondutai’s prejudices connect back to the broader process through which–during the colonial period– Hindustani music was “Hinduized” by reformers such as Pandit Bhatkhande and Pandit Paluskar. Bhatkhande wanted to create a “national music” and believed that Hindustani music had been degraded by Muslims and dancing girls and needed to be rescued from both. This process has been extensively discussed by Janaki Bakhle in her book Two Men and Music: Nationalism in the Making of an Indian Classical Tradition. Unfortunately, while most ethnomusicologists agree that Hindustani music is a syncretic tradition, many (on both sides of the India-Pakistan border) persist in claiming it for one or the other religion. Continue reading Review: The Music Room by Namita Devidayal

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