Something in a recent thread caught my attention. A commenter praised several khayal singers, almost all Hindu, while omitting equally eminent Muslim vocalists. Kabir pointed this out, but the exchange exposed a larger pattern: the slow Hindification of Muslim cultural inheritances in India.
This is not new. It has happened before in the Balkans, Spain, North Africa, and now South Asia. When Muslim political power retreats but its aesthetic legacy endures, successor communities begin absorbing, domesticating, and rebranding the cultural capital that Muslim rule left behind.
Hindustani music is a prime example. The foundational grammar, khayal, thumri, tarana, bandish, raga–riyaz discipline, gharana boundaries, was shaped by Persian, Turkic, and Indo-Muslim lineages. Yet today, the most visible custodians of this tradition are overwhelmingly Hindu: Bengali virtuosos, Maharashtrian stalwarts, the great Dharwad families, plus a handful of Muslim houses that continue against the grain. A few dozen performers make a strong living; a select few have global reputations. But the overall demographic shift is unmistakable. Continue reading The Hindification of Muslim Culture
