Bollywood calling Pakistan. Again.

So a new trailer for a hindi acshun phillum dropped recently, and its another one of those that throws around the ‘based on true events’ tag for additional street cred. This time around though, there’s a bit of a twist. The plot apparently centers around the Lyari Gang wars in Karachi, with some additional fictional tempering of course.


Unsurprisingly, this will elicit a whole gamut of reactions from either side of the Radcliffe line, especially due west. The preview is unusually long, and somewhat unsurprisingly filled with shocking violence – the recent success of movies like Kill and Animal were bound to result in a race to ever-increasingly levels of ‘ketchup’ and fireworks. But apart from that, at least to me, didn’t seem very novel or interesting. I am mildly curious about the world building that the movie manages to pull off.

Sanjay Leela Bhansali’s Netflix series Heeramandi is another example of this phenomenon. Where the Indian movie industry is accused of ‘cultural appropriation’ and telling a story that is “Pakistani, and not Indian”. With that one, as much as I am… unimpressed with Bhansali’s output – I view him more as a choreographer, less of a filmmaker, one who is far more successful at spectacle, not so much with cinema – I still think that the stories of the subcontinent should be accessible to all. Lahore after all, especially pre-partition Lahore is as much a legacy of Ganga Ram as it is of the Mughal Empire, or the Sikh, for that matter.

This time around however, the setting isn’t historical or pre-partition. Is there an argument to be made that this is “cultural appropriation”?

For me, more than anything, its yet another missed opportunity. In an alternate timeline, a movie like this would have been a golden opportunity for Pakistani actors to get visibility on a much larger Indian stage, and the quality of the output could have been immeasurably raised with behind-the-scenes contributions – production design, location and language expertise, to name a few.

Somewhere down the line, if things finally start reverting to ‘normal’, perhaps future projects like these will incorporate Pakistani participation and be better for it.



The Pakistani Inferiority Complex

These excellent tweets exhibit a painful pattern that many of us see but few want to name.

Pakistanis, particularly its establishment and elite classes, exhibit a deep inferiority complex towards white (light) Muslims; Arabs, Turks, Persians, and Afghans. These groups are valorized, romanticized, and used as benchmarks for identity and belonging. Meanwhile, other Asian groups, especially within South Asia and Southeast Asia, are seen as lesser. This manifests not only in foreign policy but in pop culture, education, and internalized social hierarchies.

This is why, even if Partition had to happen (and it was undeniably disastrous), Pakistan still could have been something else. It could’ve been a GCC meets Pahlavi Iran construct—a sleek, semi-modernist, high-income Asian Muslim republic with cultural gravitas and economic depth.

Instead, as others have rightly pointed out, Pakistan today has one of the lowest HDIs in its region. Karachi didn’t become Dubai. Lahore didn’t become Paris. Islamabad remains a ghost town of beautiful boulevards and hollow institutions. The promise wasn’t just broken; it was never even understood.

In some ways, Pakistan inherited the worst of both its imagined lineages: neither the intellectual cosmopolitanism of Persianate high culture, nor the industrious civic ambition of Indian civilizational continuity.

This is why tweets like those from @MrFreeFighter land so hard. They expose the psychic dissonance at the heart of the Pakistani state’s anxieties; its hatred of Pashtuns, its paranoia about “Afghanism,” and its inability to deal with its own peripheral ethnic groups as anything but threats.

Meanwhile, Indian Muslims like bombaybadshah, though deeply patriotic to India, often voice critiques of Pakistan with a clarity born of disappointment. They represent what Pakistan could have cultivated: a civic Islam, grounded in identity but untethered to ethnic obsession.

The final irony? South East Asia, Thailand, Cambodia, even Bali, retains more civilizational Dharma than most of Pakistan. Religion is irrespective of that elusive civilisational quality of Dharma, thus the true borders of Bharat lie eastward, not northwest.

Pakistan is not the enemy of India. It is the shattered mirror. And what it reflects, feudalism, insecurity, bigotry, and colonial hangover, is what the entire subcontinent must transcend. Again anyone who reads this can see I’m not saying this from a place of hate but love.

 

Brown Pundits