“What did Op Sindoor actually accomplish”?

23rd March 2003. Twenty three years ago today, a Pakistani Operative Zia Mustafa of the Laskhar-e-Toiba walks into the village of Nadimarg, Jammu and Kashmir. Wearing fake uniforms, Zia and his accomplices wake up the the village, and then proceed to murder 11 men, 11 women and a boy after lining them up. Walking away, the terrorists hear a baby crying, and order to silence him. The baby becomes murder victim #24. Link

23 March 2026, I read a comment on a BP thread discussing the West Asia war and Iran’s defiance, and the question that is the the topic of this post is asked.

I feel obligated to answer it. The statistics of so-called ‘non-state actor’ victims inflicted by Pakistani groups on Indian soil, since the 1990s, into the 2000s and beyond are stark. For an Indian who has grown up to adulthood in these years, actually lived through multiple decades where hundreds if not thousands of Indians dying as a result of the Lashkars and Jaish of the world was just part and parcel of life – all given succor by the Pakistani military and state. The datasheet linked here shows the tragedy that has been slowly but surely being deterred – and this is only starting with the year 2000. According to SATP, more than 25000 deaths occurred in J&K between 1988 and 2000.

The change in the public response of the Indian government, starting with the surgical strikes in 2016, and then escalated with the Balakot Bombing raids, and the direct and sharp decrease in the number of terrorism incidents is unmistakable. Operation Sindoor, the 4 day skirmish that took place in May 2025 on the heels of unarmed tourists being murdered in cold blood – is the exclamation mark in a simple statement that demonstrates Indian resilience and response when challenged with terrorism. No more will such attacks go unanswered. And the ultimate sponsors of such evil – the Pakistan Military itself – will have to bear direct consequences delivered. Via Brahmos-Mail.

Nobody needs a degree in statistics, to spot the co-relation in the timeline – India starts executing public retaliation in the aftermath of terror attacks, the frequency of such attacks drops sharply.

As far as the spreadsheets accounting and the nuts and bolts of what targets were hit during Op Sindoor that would count as “actual accomplishments” – there is ample evidence available for any objective observer to get themselves informed. From satellite imagery of multiple PAF bases and runways ‘double-tapped’ into shutting down for months, to ‘hardened’ aircraft shelters being demolished and rebuilt months after the fact.

But what Op Sindoor accomplished goes beyond merely a largely one-sided ledger of inflicting losses to military bases and flagship bases of terrorist organizations – Op Sindoor was a demonstration of commitment by the Indian state – a resolve that no longer will the nuclear umbrella allow the Pakistani Military to continue waging its ‘jihad of a thousand cuts’ without the consequences of a military conflict. One that will inflict costs not just on the bankrupt Pakistani state, with FATF gray lists hurting its citizens. Send terrorists to murder Indians, and bombs will drop on Pakistani Military bases in response. Op Sindoor is a promise of resolve. The Indian government will respond militarily if you threaten the security of its citizens.

Post-script: Apart from making an unambiguous demonstration of Indian deterrence when facing up against terrorism emanating from Pakistan, arguably the greatest indicator of the success of Op Sindoor, is the Pakistani Military’s attempt at copy-pasting their own version on Pakistan’s Eastern Border. Unfortunately, the results for the second sibling that was birthed from ‘Cracking India’ in 1947, have been a lot more….mixed.

Archeological Society of India to work with Indonesia on Prambanan Temple Complex Restoration

A brief respite from war, death and bombings. Some encouraging news from South East Asia.

I have had the privilege to visit the Angkor Wat Complex in Siem Reap, Cambodia. The ASI has done some decent work there in restoring some of the buildings within. The Prambanan temple complex dates back to the 10th century and after Angkor, its the largest one in SE Asia. I would love to visit someday.

I did visit Bali briefly a couple of decades ago, which was a wonderful rabbithole to fall down into, in terms of Indic influence and syncretic culture in SE Asia. Balinese Hinduism is a fascinating fusion of what we Indians think of as ‘core’ Hinduism, along with local animist influences. What superficially can feel slightly alien and almost jarring – in terms of pooja thalis adorned with whole skinned chickens, is in fact, incredibly typical of how the Dharmic faith has spread all over the Indian sub-continent and beyond, absorbing local totems and figures into its mythology as manifestations and ‘Avtaars’ of its primary dieties.

Has anybody on BP or the commentariat visited Yogyakarta or any other Indonesian sites with Buddhist/Hindu influence?

The ‘Hindutva’ attack protocol

A tweet reposted by Azad Essa, attacking Priyanka Chopra as “Hindutva-fascist”, asserting that she is somehow ‘uncomfortable’ standing next to Javier Bardem while he delivered remarks in support of Palestine. This, in spite of the fact that Priyanka Chopra has publicly supported Palestine – signing letters demanding ceasefires, tweeting on Rafah and so on.

Azad Essa, is an author that was recently spotlighted on Brown Pundits itself, via his propaganda work on comparing Palestine to the Kashmir valley. This is a particular echo chamber driven by a very explicit agenda, that seeks to weaponize and co-opt the language of the left, in pursuit of demonizing India and Hindus. Facts do not matter, its Priyanka’s ethnicity that matters, and the fact that she dares to be publicly proud of her heritage, her religion and her nationality.

This is but an anecdotal example, but one that quite neatly spotlights the suspect credibility of aspiring ‘academics’ like Mr Essa. The question is how does the ecosystem of academia defend itself against such explicit bad actors that misuse concepts of ‘academic freedom’ and ‘journalism’ to peddle insidious agendas.

Open Thread – “Open War” breaks out between Pakistan and Afghanistan

This is a quote from Pakistan’s ‘defence minister’ from a couple of hours ago. There is a shooting war on the Durand line, and the PAF has bombed Kabul and Kandahar, including the airport, Taliban ministry buildings and other non-military targets.

This round of AfPak hostilities kicked off with a ‘surgical airstrike’ by Pakistan into Afghanistan that resulted in multiple civilian deaths. The Taliban retaliated by attacking Pakistani border outposts on the Durand Line, and claim to have captured more than a dozen of them, with Pakistani POWs and KIA. In response, the PAF has now bombed Kabul and Kandahar.

The Taliban, the erstwhile creation of the ISI, is now at war with Pakistan. Where does this go from here?

Pakistan, India – culture, music, movies

Usman Tariq Image from CricTracker

The last few days have really been dominated by a cacophony of ….tu, tu, mai, mai in the BP comment threads with competitive “patriotism” flying thick and fast. Amidst all the noise generated by …certain hostility focused agendas, its easy to lose sight of the fact that for all the problems and challenges faced by the 2 nation-states, the people that inhabit the subcontinent, still continue to have a bunch of things in common.

So allow me this …palette cleanser of a post. The ICC T20 Cricket World Cup is in progress, and the teams of both India and Pakistan have managed to qualify for the “Super 8” stage. Usman Tariq, is a rising star who has recently joined the Pakistani team, as a bowler who serves up ‘mystery spin’ from a unique bowling action, enabled slightly in part due to an anatomically exceptional elbow which has elicited some allegations of chucking (throwing). He has undergone test and has been cleared of this allegations already.

What I found notable about Usman, apart from his repertoire of unique googlies and arm angles, is him sharing the fact that watching an Indian movie inspired him to pursue his dream – a career in cricket. M.S. Dhoni a former India captain, had a biopic made about him a few years ago, which was a massive hit in India and beyond. Usman, as we know, is hardly an exception when it comes to Pakistanis consuming Indian content including movies. Pakistanis, in some ways, are arguably even more ardent consumers and fans of ‘Bollywood’ than Indians. As an Indian listener to Pakistani podcasts, you can’t help but notice how movie and song quotes from Indian films and pop culture, are seamlessly used by Pakistanis as metaphors to describe situations. Even more so than is common for Indians to do so.

On the flip side, Indians are enthusiastic consumers of Pakistani music – the popularity and opinions on the ‘quality’ of Pakistani Coke Studio abound, so does a sizeable number of fans for Pakistani soap operas.

The point is, as much as the interactions of India and Pakistan is dominated by the disproportionate shadow cast by the history of conflict between the two states, and especially the untenable history of PakMil sponsored multi-decade history of terrorism and “non-state actor” violence, we still see a common culture interwoven through the day-to-day existence of the …awaam

Open Thread Modi and Drumpf announce US-IND Trade deal

https://x.com/narendramodi/status/2018377090840830101

With typical bluster, the Donald declares victory and claims that India will ‘stop buying Russian oil (eventually’, and buy ‘$500 billion’ in US goods (no timeline given). Modi’s announcement doesn’t even mention those vague commitments notably.

18% is lower than Vietnam, lower than China, and also lower than Pakistan’s tariff rates, in spite of the ….abject genuflection given to the Drumpf Administration by Pakistani elites over the last few months.

Sanjeev Sanyal on the generational shift in India

Sanjeev Sanyal is somewhat… infamous as one of the flag-bearers of the Indian Right wing. A longform interview where he talks about citation laundering, the misrepresentation of Emperor Ashok, the machinations of ranking Indian democracy and credit sovereign ratings. Its indeed quite laughable if press freedoms in Pakistan and Afghanistan end up being rated higher than India.

The recent Barabar caves kerfluffle on BP came to mind while listening to him.

Bollywood calling Pakistan. Again.

So a new trailer for a hindi acshun phillum dropped recently, and its another one of those that throws around the ‘based on true events’ tag for additional street cred. This time around though, there’s a bit of a twist. The plot apparently centers around the Lyari Gang wars in Karachi, with some additional fictional tempering of course.


Unsurprisingly, this will elicit a whole gamut of reactions from either side of the Radcliffe line, especially due west. The preview is unusually long, and somewhat unsurprisingly filled with shocking violence – the recent success of movies like Kill and Animal were bound to result in a race to ever-increasingly levels of ‘ketchup’ and fireworks. But apart from that, at least to me, didn’t seem very novel or interesting. I am mildly curious about the world building that the movie manages to pull off.

Sanjay Leela Bhansali’s Netflix series Heeramandi is another example of this phenomenon. Where the Indian movie industry is accused of ‘cultural appropriation’ and telling a story that is “Pakistani, and not Indian”. With that one, as much as I am… unimpressed with Bhansali’s output – I view him more as a choreographer, less of a filmmaker, one who is far more successful at spectacle, not so much with cinema – I still think that the stories of the subcontinent should be accessible to all. Lahore after all, especially pre-partition Lahore is as much a legacy of Ganga Ram as it is of the Mughal Empire, or the Sikh, for that matter.

This time around however, the setting isn’t historical or pre-partition. Is there an argument to be made that this is “cultural appropriation”?

For me, more than anything, its yet another missed opportunity. In an alternate timeline, a movie like this would have been a golden opportunity for Pakistani actors to get visibility on a much larger Indian stage, and the quality of the output could have been immeasurably raised with behind-the-scenes contributions – production design, location and language expertise, to name a few.

Somewhere down the line, if things finally start reverting to ‘normal’, perhaps future projects like these will incorporate Pakistani participation and be better for it.



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