Kabir – Page 5 – Brown Pundits

My singing featured on Khaliq Chishti Podcast

Kabir · November 2, 2025 · 13 comments

In the spirit of a palate cleanser, I am sharing this musical performance. I was featured on Khaliq Chishti’s podcast (he runs a recording studio in Lahore). I performed Raga Rageshri and a Dadra in Raga Desh (“Cha Rahee Kali Ghata” which was originally sung by Begum Akhtar). Tabla is by Iftikhar Joseph.

I also want to use this opportunity to respond a bit to the recent post that argued that India and Pakistan are only linked by violence. I am a singer of Hindustani classical music and an ethnomusicologist. Hindustani classical music is obviously part of the shared Indo-Islamic culture that links North India, Pakistan and Bangladesh. Eight decades of separation, wars and political tensions have not managed to completely destroy this common culture. This very fact goes to disprove the argument that the ONLY link between India and Pakistan is violence.

Indians are fond of Pakistani dramas. Fawad Khan is very popular in India. A new season of Pakistan Idol has recently started airing (Fawad is one of the judges along with Rahat Fateh Ali Khan) and I dare say Indians would be watching on YouTube. I have seen comments on Insta from Indians expressing their appreciation for Pakistani music. Pakistanis obviously watch Indian Idol.

My book–A New Explanation for the Decline of Hindustani Music in Pakistan (Aks Publications Lahore 2024)–was recently profiled on Scroll.in. Do read it if you are interested. Currently, the book is only available in Pakistan but we are working on publishing an Indian edition soon. One of the side effects of the bad relations between India and Pakistan is that books cannot travel across the border.

Review: Desertion by Abdulrazak Gurnah

Kabir · August 13, 2025 · 1 comment

From my Substack:

When Abdulrazak Gurnah won the Nobel Prize for Literature in 2021, he was comparatively little-known. I must confess that I had never heard of him. This is despite the fact that I am an ardent fan of English literature and am also deeply interested in issues of colonialism. I have read most of the fiction concerned with British colonialism in South Asia including Rushdie’s Midnight’s Children, Scott’s The Raj Quartet and Forster’s A Passage to India. Perhaps part of the reason that I was not familiar with Gurnah’s work was that I have not focused much on Africa as a region (except for North Africa, which can be said to be more of an extension of the Arab world than the African continent proper). However, even within the domain of African fiction, Gurnah is an author that is unfamiliar to most readers. For example, school curricula in the US often include Chinua Achebe’s Things Fall Apart and Alan Paton’s Cry, the Beloved Country. I very much doubt that any curricula so far has included Gurnah’s works. Hopefully, that will change now that he has received the Nobel Prize.

Gurnah is a British citizen of Zanzibari origin. He grew up at a time when Zanzibar was a British protectorate separate from the colony of Tanganyika. After both colonies achieved independence, a revolution overthrew the Arab elite in Zanzibar and the region later merged with Tanganyika to form Tanzania. Gurnah had left to study in the UK before this revolution broke out and he describes himself as a refugee. He completed his Phd in Literature and served as a Professor at the University of Kent, from which he recently retired. His academic work deals with postcolonial literature, including that of Rushdie. Continue reading Review: Desertion by Abdulrazak Gurnah

Review: The Music Room by Namita Devidayal

Kabir · August 11, 2025 · 1 comment

From my Substack:

Namita Devidayal’s memoir The Music Room is a chronicle of her relationship with her guru Dhondutai Kulkarni (1927-2014). The book describes Devidayal’s initiation into Hindustani classical music as a reluctant ten-year-old from Bombay’s upper-middle class. Along with describing her growing appreciation for Dhondutai and the music that she imparts to her, the narrative also tells the story of two other important figures in Hindustani music: Ustad Alladiya Khan (1855-1946)–the founder of the Jaipur-Atrauli gharana–and Keserbai Kerkar (1892-1977)–one of the most famous khayal singers of the 20th century. Through telling the stories of these individuals, Devidayal elucidates several important themes such as communalism and “Hinduization” of music as well as the place of women in classical music.

Devidayal describes the process through which Hindustani music became communalized and “Hinduized”. Though Dhondutai is extremely proud of the musical legacy passed on to her by Alladiya Khan Sahib’s family, she still expresses some bigoted views about Muslims. When pressed on this by Devidayal, Dhondutai attempts to square the circle by telling her that Ustad Alladiya Khan was not a real Muslim since he was (allegedly) descended from a Brahmin singer who had been forced to convert to Islam by a Muslim king. She also notes that he always wore the caste thread usually worn by Brahmins. This story allows Dhondutai to hold the belief that Hindustani classical music is essentially Hindu despite the fact that many of the most prominent gharanas had Muslim founders. Dhondutai’s prejudices connect back to the broader process through which–during the colonial period– Hindustani music was “Hinduized” by reformers such as Pandit Bhatkhande and Pandit Paluskar. Bhatkhande wanted to create a “national music” and believed that Hindustani music had been degraded by Muslims and dancing girls and needed to be rescued from both. This process has been extensively discussed by Janaki Bakhle in her book Two Men and Music: Nationalism in the Making of an Indian Classical Tradition. Unfortunately, while most ethnomusicologists agree that Hindustani music is a syncretic tradition, many (on both sides of the India-Pakistan border) persist in claiming it for one or the other religion. Continue reading Review: The Music Room by Namita Devidayal

Review: A Return to Self: Excursions in Exile by Aatish Taseer

Kabir · August 9, 2025 · 16 comments

From my Substack:

Aatish Taseer begins his new essay collection A Return to Self: Excursions in Exile (Catapult 2025) by recounting the Indian government’s 2019 cancellation of his Overseas Citizenship of India (OCI). The pretext for this decision was that Taseer had concealed the Pakistani origin of his father (the late Salman Taseer, a former Governor of Punjab who was assassinated by his own bodyguard after calling for Pakistan’s blasphemy laws to be amended). However, Taseer believes that the real reason that his OCI was canceled was that he had written a critical article about Prime Minister Modi entitled “India’s Divider in Chief”. He writes: “In one stroke, Modi’s government cut me off from the country I had written and thought about my whole life, and where all the people I grew up with still lived.”

Later in the “Introduction”, Taseer describes the impact that this decision had on him and how it led to the essays contained in the book under review:

If these essays feel like a return to self, it is because they represent the return of my natural curiosities and, dare I say it, cosmopolitanism, after the long night of cutting away parts of myself in order to better fit back into Indian life. They are a response to the illusion of the idea of home. The strand of elation that runs through them is the simple joy of being out in the world, free of the pressures of belonging. Perhaps there could not have been any other response, given that my country, my material, my world in India,had been snatched from me. I grew up in what felt to me like the crucible of all anxieties related to belonging. Those anxieties run through these essays, but they are also a tribute to the individual. After all the wringing of wrists, the stewing over questions of place, of feeling myself forever betwixt and between, I woke up one day to find the bars of my prison had magically disappeared, and, far from being scared, I felt a new vein of intellectual curiosity had opened for me. With the idea of home gone, I stepped out into the world again.

Continue reading Review: A Return to Self: Excursions in Exile by Aatish Taseer

Review: Shattered Lands: Five Partitions and the Making of Modern Asia by Sam Dalrymple

Kabir · August 7, 2025 · 4 comments

From my Substack:

When South Asians speak of “Partition” they are usually referring to the 1947 partition of British India that created the nation-states of India and Pakistan. This partition involved the division of the provinces of Punjab and Bengal on the basis of religious demographics and led to some of the worst ethnic cleansing of the 20th century. It is estimated that between 200,000 to 2 million people were killed and 12 to 20 million people were displaced. The word “partition” may also remind Pakistanis of the 1971 secession of East Pakistan (what Bangladeshis refer to as the “liberation” of Bangladesh). However, as Sam Dalrymple argues in his new book Shattered Lands: Five Partitions and the Making of Modern Asia (William Collins 2025), the British Indian Empire actually spanned a much greater geographical extent than today’s India, Pakistan and Bangladesh, including areas such as Aden (in today’s Yemen) and Burma. In his “Introduction” he writes:

The collapse of the Indian Empire has remarkably never been told as a single story. With every division archives were scattered across twelve nation states– thirteen if we include Britain. Subsequent divisions between the ‘Middle East’, ‘South Asia’ and ‘Southeast Asia’ crystallised after the Second World War. Each Partition is now studied by a different group of scholars and the ties that once linked a quarter of the world lie forgotten… This book, for the first time, presents the whole story of how the Indian Empire was unmade. How a single, sprawling dominion became twelve modern nations. How maps were redrawn in boardrooms and on battlefields, by politicians in London and revolutionaries in Delhi, by kings in remote palaces and soldiers in trenches. (Dalrymple 8)

Continue reading Review: Shattered Lands: Five Partitions and the Making of Modern Asia by Sam Dalrymple