Brown Pundits

I’ve been exceptionally busy these days since I’m trying to take Bubble Tap to franchise and it’s a lot of work setting it up.

I don’t want to detract from Omar (Episode 8) and Razib’s excellent podcasts (Episode 7). Of course it would nice to see more of our stakeholders support Razib’s patreon, Episode 9 is on Sanskrit.

However as an aside I found this comment by our resident Morisco to be incredible tactless:

Apologies for pinning this blog’s low standards on you Razib. I found it through your work originally and have gotten progressively more irritated that virtually none of the posts are above grade-level quality (your excellent posts excepted obviously).

I went to watch “The Favourite” last night, which is getting rave reviews for Olivia Colman’s performance as Queen Anne. Considering that Olivia Colman will soon be playing HM the Queen in the upcoming series of the Crown it seems Ms. Colman is another Helen Mirren in the making.

I’m reading the auto-biography of one of my actors, Sir Nigel Hawthorne CBE. He played King George in the “Madness of King George” and of course Sir Humphrey Appleby in “Yes Minister.” When I read his experiences about being in perpetual penury and having to navigate landlords, it just reinforced how difficult it is to make it in the world of Acting even if you are a privilege white male.

Some of the excerpts on race in the biography are hilarious even though Sir Hawthorne’s views are exceptionally progressive for the time (and this was only written 20years) the milestones are moving so quickly in terms of race, gender and sexual orientation that most language gets dated.

My short thoughts are that even a movie as innocuous as the Favorite, which is ultimately a period piece on Royalty, gives such flavours on the immense upward struggle suffered by BAME (Black-Asian-Minority-Ethnic) actors.

While Emma Stone, as a White American, could plausibly play the lead Abigail Masham and half Jewish Rachel Weisz play Sarah Churchill (ancestress of course to Winston) the best Yorgos Lanthimos could do is “shadow” in 3 coloured actors. There was one Chinese girl in the violin who was in the screen for perhaps 2 seconds, an Indian boy as the help in the Bird Shoot and the final was a Black Server. All of these characters were on screen momentarily as though hinted at but never really featured.

Of course the question about whether colored actors have a place in Period Pieces is a particularly contentious one. However considering that the characters were wearing denim, which certainly wasn’t around in the early 18th century, it seems that either one go for complete authenticity or accept that Creative Licensing encompasses colour and race.

This topic won’t be solved now or in the future however I also wanted to add how Colonialism just makes this a vicious cycle. At the end of the day the only countries with viable and continuous Monarchies happen to in Northern Europe. The Gulf Kingdoms are merely Tribal leaders elevated to Monarchical dignity but nothing really more than that.

Without strength or coherence of a continuous Monarchy most third world countries simply do not have the heritage (or resources) to make compelling Period Pieces that spark the global imagination. The English Monarchy (even the French) resonates in the minds and most people can name at least a handful of monarchs.

In the case of “Independent” nations such as Siam, Afghanistan or Ethiopia; these were glorified buffer states that survived by juggling various European powers. Turkey is probably one of the few countries that somehow managed (through Ataturk) to survive as an independent power (and arguable it’s more European than Asian).

It is not inconceivable that if India had not been subject to foreign influence some sort of Composite Monarchy would have had to emerge (either Mughal or Maratha). The Hindu-Muslim labels certainly existed pre-colonisation and was significant at an elite level but in the early 1700’s (incidentally the time of Queen Anne) it would have been a much more syncretic and fused identity at the common level. It may have been that a Muslim-flavour Hinduism (Muslim Sufis internalised into the pantheon) would have been another sect like the Shaivites and Vaishnaivites.

Of course counter-factuals are always difficult since history is so unpredictable. But it would have been nice to have imagined that maybe in another reality the Favourite would have been about court intrigue in Aurangzeb’s court between his sisters Jahanara and Roshanara.

Some of our Indian friends will of course be outraged that I would use the example of someone so controversial as Aurangzeb. However it is not implausible to also imagine that in a continuous period of Indian Monarchy (whether Mughal or Maratha); Aurangzeb’s perfidy towards Hinduism would not have been the last word but simply treated as a sort of Bloody Mary figure.

At best the Mughals would have been seen as the Plantagenets of India. Instead of coloured actors darting sheepishly in the background in Period Pieces, they would have taken a centre stages since their stories and intrigues would have riveted the world.

If people think I’m being a melancholic Persian then let me ask this:

How many non-Desis cared about Padmavat?