Hans Zimmer and the Polite Dismissal of the Ramayana

When producer Namit Malhotra began explaining the Ramayana to Hans Zimmer, the legendary composer cut him off:

ā€œYou don’t have to explain it to me. Something that has lasted thousands of years clearly has meaning. Let’s just do our best. It’s beyond us.ā€

Malhotra took this as reverence. In fact, it was erasure.

No serious Western artist would score The Ten Commandments or Schindler’s List without knowing the story. Imagine a composer saying, ā€œDon’t explain the Illiad to me, it’s beyond me.ā€ They’d be fired. But when it comes to Indian epics? The bar is subterranean. That’s not reverence.

That’s: I’m Western, I’m famous, I’m here for the cheque; not the history. The tragedy isn’t Zimmer’s line. It’s Malhotra’s awe. A Westerner shrugs off our most sacred text, and we call it wisdom. That’s not cultural pride. That’s civilizational confusion. It’s a pattern. Many elite Indians are fluent in the language of Islamic grievance; but tone-deaf to Western condescension.

Divide and rule still works:

  • Hindus thank the British for ā€œfreeingā€ them from Muslim rule

  • Muslims thank the British for ā€œprotectingā€ them from Hindu majoritarianism

Meanwhile, the West shrugs at our stories and we applaud.


Shravan Monday at the New England Temple

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Visibility, Voice, and the Indian Muslim Dilemma

In the aftermath of the extremely tragic plane crash in Ahmedabad (the photo features the late Ali family, may they rest in the Highest Heaven), one tiny detail stood out; not the cause of the disaster (still contested), but who was being heard. Many of the victims’ families interviewed by the BBC were of Muslim origin (it was also during the Eid Holiday break). And while that may seem incidental, it reveals a subtle, recurring pattern in India’s public discourse.

Three threads emerge:

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