Pakistan, India – culture, music, movies

Usman Tariq Image from CricTracker

The last few days have really been dominated by a cacophony of ….tu, tu, mai, mai in the BP comment threads with competitive “patriotism” flying thick and fast. Amidst all the noise generated by …certain hostility focused agendas, its easy to lose sight of the fact that for all the problems and challenges faced by the 2 nation-states, the people that inhabit the subcontinent, still continue to have a bunch of things in common.

So allow me this …palette cleanser of a post. The ICC T20 Cricket World Cup is in progress, and the teams of both India and Pakistan have managed to qualify for the “Super 8” stage. Usman Tariq, is a rising star who has recently joined the Pakistani team, as a bowler who serves up ‘mystery spin’ from a unique bowling action, enabled slightly in part due to an anatomically exceptional elbow which has elicited some allegations of chucking (throwing). He has undergone test and has been cleared of this allegations already.

What I found notable about Usman, apart from his repertoire of unique googlies and arm angles, is him sharing the fact that watching an Indian movie inspired him to pursue his dream – a career in cricket. M.S. Dhoni a former India captain, had a biopic made about him a few years ago, which was a massive hit in India and beyond. Usman, as we know, is hardly an exception when it comes to Pakistanis consuming Indian content including movies. Pakistanis, in some ways, are arguably even more ardent consumers and fans of ‘Bollywood’ than Indians. As an Indian listener to Pakistani podcasts, you can’t help but notice how movie and song quotes from Indian films and pop culture, are seamlessly used by Pakistanis as metaphors to describe situations. Even more so than is common for Indians to do so.

On the flip side, Indians are enthusiastic consumers of Pakistani music – the popularity and opinions on the ‘quality’ of Pakistani Coke Studio abound, so does a sizeable number of fans for Pakistani soap operas.

The point is, as much as the interactions of India and Pakistan is dominated by the disproportionate shadow cast by the history of conflict between the two states, and especially the untenable history of PakMil sponsored multi-decade history of terrorism and “non-state actor” violence, we still see a common culture interwoven through the day-to-day existence of the …awaam

Kohrra Season 2: Review

Kohrra is a police procedural series set in Punjab whose second season is now available now on Netflix which I highly recommend.

Some relatively spoiler free thoughts. I am skipping plot details etc because I don’t want to spoil anything plus there are many reviews already available on the internet.

  • Indian directors/writers have really mastered this sort of police procedural – usually has two police partners and the story jumps between the case (new case per season) and the personal lives of the protagonists. Add in some social commentary as well in a gritty package. Others of this ilk are Pataal Lok (2 seasons, Amazon Prime) and Dahaad (1 season, Amazon Prime). Those are also highly recommended.
  • Because this is a new season, it’s a completely new case. Also only one of the officers from the first season returns. Watching the first season is not necessary but ideal to get an idea of the personal life of the returning character.
  • The plot this time is a lot more twisty with multiple threads leaving you guessing, compared to the first one where I guessed the plot a few episodes in.
  • Also a lot more technically accomplished. The few action set pieces are really well done. The cinematography is great and the acting is great across the board (the first season had some iffy acting by some actors).
  • Love the fact that like most Indian OTT shows, it is not monolingual (like movies) and is multilingual and characters speak in the language that they would actually speak. So predominantly Punjabi with a bit of Hindi.

Caf茅 Concord: A View from the Counter

I鈥檓 writing this from a bakery-caf茅 in Concord, Massachusetts鈥攖he cradle of the American Revolution, where ideals like liberty and equality were born anew in the New World. The croissants are fresh, the espresso is bespoke (lavender), and the staff layout is eerily familiar.

At the front: white staff鈥攕tylish, aesthetic, articulate鈥攈andling (bossing sometimes but in general everyone is exceptionally lovely & calm) model minority clientele with curated ease. In the kitchen: Mexican workers鈥攅fficient, invisible, foundational. It鈥檚 the same setup across most of America鈥檚 cool, clean consumer spaces: the aesthetic and the labor silently segregated by race and language.

No one talks about it. You鈥檙e not supposed to notice the subtle “Americanisation” at play (the American dream and its attendant complexities). But once you do, as a twice-immigrant (East to Britain, old England to New England), it鈥檚 hard to unsee. The roles aren鈥檛 assigned by policy, but by a deeper algorithm鈥攐ne that sorts people into place based on centuries of sedimented power: race, class, culture, even aesthetics. Continue reading Caf茅 Concord: A View from the Counter

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