Salman Rushdie was nearly killed when he was stabbed 15 times on stage in upstate New York in 2022. His injuries were so severe that he lost an eye. It was an attack that came decades after he was first subjected to death threats over his novel, The Satanic Verses. Once he had recovered, he found he was unable to write fiction. However, after publishing an account of what happened to him, the stories returned, with five brought together in his latest book, The Eleventh Hour. In this conversation with Mishal Husain, Rushdie talks about free speech, the family connection they both share and the places he’s called home, from India to Britain and the US.
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Why Indian English Loves Long Sentences
If China endured a century of humiliation, India has lived through a thousand years of it. Invasions and exploitation left it poor in wealth but rich in culture; intricate, adaptive, and resilient. That depth shows in Desi English, which often favours long, ornate sentences over plain ones.
This habit echoes Persian’s former role in the subcontinent: a prestige language whose mastery signalled rank. Even Ghalib’s vast Persian verse drew less love than his Urdu. In India, Persian was the colonial language of power; today, English plays that part.
In Iran, Persian changes fast. Slang, borrowed terms, and foreign tones reshape it so quickly that many in their forties struggle with teenage speech. My own Persian, kept alive in Kuwait and India, is closer to Shirazi and Tehrani standards than to the language my ancestors spoke. I’m self-conscious with Iranians, but with diaspora Persians, I speak freely; we share a looser, accented form of speech. Continue reading Why Indian English Loves Long Sentences