Greenland, Trump, and the Comfort of White Intermediaries

What people are missing in the Greenland debate is not a technicality of citizenship or electoral legality. It is the structure of power that keeps repeating itself across the settler-colonial West.

This is not really about whether the Greenlandic Prime Minister, Jens-Frederik Nielsen, can lawfully hold office.

Of course he can. He has a Danish father and a mother born and raised in Greenland, and he meets every formal requirement. That point is trivial, and focusing on it is a way of dodging the real issue. The real question is why, across every settler-colonial society; Indigenous welfare and political destiny are so reliably mediated by white-presenting figures, even when those societies are overwhelmingly Indigenous in population.

Greenland is 90 percent Inuit. Yet when power reaches its most visible, internationally legible form, it is once again carried by someone who presents as Danish, speaks the language of European governance fluently, and is immediately readable to Western capitals as “safe.” This is not accidental. It is structural. Continue reading Greenland, Trump, and the Comfort of White Intermediaries

Dhurandhar showcases Bollywood’s New Obsession: The Sexy Pakistani Villain

We watched Dhurandhar last night at Apple Cinemas (the last time we went to see Ishaan Khatter’s Homebound). It is the best mass-market Bollywood film I’ve seen since Animal, and far more immersive. What struck me most was not the action, nor the plot, but Bollywood’s new formula: a full-scale fetishisation of Pakistan.

Kabir keeps claiming that Bollywood casts Pakistanis as villains. This misses the point. The villain is always the sexiest figure in any film. Bollywood has finally realised this. Raazi hinted at it. Animal stumbled on it with Bobby Deol’s star stealing turn. Dhurandhar perfects it.

For the first time, Hindu actors are not performing cartoon versions of Pakistan. They are cosplaying Pakistanis with forensic precision; the clothes, the diction, the swagger, the social codes. In earlier decades the attempt was clumsy. Now the calibration is exact. Pakistan, in these films, becomes the Wild West of the subcontinent: familiar enough to feel intimate, distant enough to feel dangerous. Continue reading Dhurandhar showcases Bollywood’s New Obsession: The Sexy Pakistani Villain

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