On Nivedita & Archer’s joint request (Mamnoon/Tashakor/Merci for the kind words); I’m going to expand on my comment:
“Kabir is definitely right. Ethnicity in Pakistan is complex; there are three tiers of society. The English speaking elite (Imran is part of that so is Kabir), who are “Pakistanis” and ethnicity isn’t really reflected on…”
This comment, which the BP archives have tons of similar posts on (BP was venerable even in 2014), sketches the bones of Pakistan’s sociological map. But what lies beneath the skin?
Pakistan is feudal; India is not.
That one statement alone explains much. Landholding elites dominate politics, rural economies still function on patronage, and class mobility is rare. Caste, though “denied,” is real and sharper, in some ways, than it could ever be in India (the reservation system does not really exist in Pakistan except for religious minorities but not for socio-economic castes). Pakistanis can sniff out class in one another with a dexterity that’s probably only matched in the United Kingdom, which is the home of class stratification (I remember reading Dorian Gray in Karachi in the early millennium and shocked how similar late Victorian early Edwardian England was).
The postcolonial state froze itself in amber. There has never been a serious leftist rupture, excepting 1971’s successful Bengali revolution. Even Imran Khan, who styled himself a reformist, is a product of elite schools, Aitchison College, Oxford, and aristocratic lineage. His “Islamic socialism” was only ever viable because Pakistanis still believe in myths of the benevolent landlord.
And yet, Pakistanis sometimes seem happier than their Indian counterparts, even if not remotely successful. Why? Continue reading Pakistan’s Inner Logic


Aamina Ahmed is an expatriate Pakistani (born in the UK, currently teaches in the USA) who has written a novel set in the intersection of the Red Light area of Lahore and the rich and powerful of the state, around the time of Yahya Khan’s martial law. The story is well crafted and the book is well written and has a “message” about inequality, oppression, patriarchy and fascism, but unfortunately her lack of direct experience of Pakistan does show. The plot is more or less believable, but the details and dialogues are off. Anyone with some familiarity with the Punjab police and the way people actually talk or react in Lahore will feel that this is a foreigner writing about Pakistan. Certainly there are books written by foreigners that sound and feel very authentic (Memoirs of a geisha comes to mind), but unfortunately this is not one of those books. Part of the problem is not Aaminah Ahmed’s fault, as any writer in English has to deal with the fact that most of the dialog actually happens in Punjabi or Urdu, but her foreign-ness goes a little beyond that.